Andre Leon Talley Weight

Andre Leon Talley Net Worth is $1.5 Million. Andre Leon Talley is Journalist Editor. Andre Leon Talley Date of Birth is Oct 16, 1949. Andre Leon Talley Country is United States of America.. AndrA(C) Leon Talley (born October 16, 1949) is the former American editor-at-large for …

Andre Leon Talley Net Worth is $1.5 Million.

Andre Leon Talley Net Worth is $1.5 Million. Andre Leon Talley is Journalist Editor. Andre Leon Talley Date of Birth is Oct 16, 1949. Andre Leon Talley Country is United States of America. AndrA Leon Talley is the former American editor-at-large for Vogue magazine, listed as Contributing Editor in the April 2010 masthead. Talley has been a front-row regular at fashion shows in New York, Paris, London and Milan for more than 25 years. He uses his influence to promote young fashion designers and mentors young talent in other fields.

His most famous pairings of late have been with designers Tracy Reese, Rachel Roy, and singer/actress Jennifer Hudson. He is known as a very close friend of pop diva Mariah Carey, fashion designer Kimora Lee Simmons, and tennis star Venus Williams. In 2007, he was ranked 45th in Out magazines 50 Most Powerful Gay Men and Women in America. Talley has an honorary Doctorate of Humanities from Savannah College of Art and Design, where he serves as a member of the Board of Trustees. As of March 2010, Talley was serving on the judging panel for Americas Next Top Model .

Read more about Andre Leon Talley Weight

The answer may surprise you/blow out your eardrums! The inimitable walking fashion concept that is Andr Leon Talley appeared on todays episode of The Wendy Williams Show. In addition to promoting his solid bio-doc, The Gospel According to Andr …

Portrait of Fashion Icon Andr Leon Talley

As a fashion personality, Andr Leon Talley has crafted a grandiose persona: infamous for his outfits dramatic caftans and capes billowing over his 66 figure and equally bold mannerisms, delivering lines like, I dont live for fashion …

New Talley doc celebrates black gay fashion icon

The Gospel According to Andr is a delightful introduction to Andr Leon Talley, an openly gay African-American man who has been a fixture in the international fashion world since 1974. Directed by Kate Novack, the film explores his life and career …

Andr Leon Talley documentary making big bucks at box office

Larger-than-life fashion maven Andr Leon Talley has been tallying up some big bucks lately. The new fashion doc The Gospel According to Andr was the best limited-release movie in the charts, with a robust $44,500 from four screens. Talley is …

The Gospel According to Andre review: A peek inside the life and career of a Vogue editor

I dont live for fashion, I live for beauty and style. So says haute couture eminence grise Andre Leon Talley in the opening seconds of Kate Novacks The Gospel According to Andre, and the director takes those words as gospel. The documentary is a …

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Andr Leon Talley

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Talley at the 2009Tribeca Film Festival

Andr Leon Talley(born October 16, 1949) is the former Americaneditor-at-largeofVoguemagazine.[1]Talley has also served as international editor of RussianNumro.[2]

Talley was born October 16, 1949, inWashington, D.C.,[3]as the son of Alma Ruth Davis and William C. Talley, a taxi driver. His parents left him with his grandmother, Binnie Francis Davis, who was a cleaning lady atDuke University, in Durham, North Carolina. Davis raised him and he claims he was given an understanding of luxury. His grandfather was asharecropper.

Talley grew up in the Jim Crow Era South, where the segregation was clear. He recalls for a long time my grandmother would not allow white people to come into our house. That was her rule. The only white man who ever came into the house was the coroner.[4]His love for fashion was cultivated at an early age by his grandmother, Bennie, and his discovery ofVoguemagazine, which he first found in the local library[5]at the age of 9 or 10.[6]

Talley was educated atHillside High School, graduating in 1966, andNorth Carolina Central University, where he graduated with aBachelor of Artsin French Literature in 1970. He was later granted a scholarship toBrown University, where he earned aMaster of Artsdegree in French Literature in 1972. At Brown, he wrote a thesis onCharles Baudelaireand initially planned to teach French.

Beginning in 1974, he worked atAndy Warhols Factory in New York City and at WarholsInterviewmagazine for $50 a week. That same year he volunteered forDiana Vreelandat theMetropolitan Museum of Art. He went on to work atWomens Wear DailyandW, from 1975 through 1980. He also worked for theNew York Timesand other publications before finally landing atVogue, where he worked as the Fashion News Director from 1983 to 1987 and then as Creative Director from 1988 to 1995. He pushed top designers to have more African American models in their shows. He leftVogueand moved to Paris in 1995 to work forW, and served as contributing editor atVogue. In 1998, he returned toVogueas the editor-at-large until his departure in 2013 to pursue another editorial venture.

From 2013 to 2014, he served as international editor ofNumro Russia, joining the team shortly after the magazine launched in March 2013 but resigned after twelve issues. He has been a member of the Board of Trustees of theSavannah College of Art and Designsince 1995.[7]

In April 2017, Talley began hosting his own radio show focusing on fashion and pop culture on Radio Andy, a Sirius XM satellite station.

Talley is the subject of a documentary film,The Gospel According to Andr, that was screened in September 2016 at theToronto Film Festivaland was released in the US May 25, 2018.[8][9]

In the mid-2000s, an intervention was initiated byAnna Wintourto get Talley to lose weight. As seen onThe Oprah Winfrey Show, he eventually lost a great deal of weight, and was eating more healthily.

In 2007, he was ranked 45th inOutmagazines 50 Most Powerful Gay Men and Women in America.[10]In 2008, Talley advised the future First Family on fashion, and introduced Michelle Obama to the Taiwanese Canadian designerJason Wufrom whom she bought several dresses including her inaugural gown. His most famous pairings of late have been with designersTracy ReeseRachel Roy, and singer/actressJennifer Hudson. He is known as a very close friend of pop divaMariah Carey, fashion designerKimora Lee Simmons, and tennis starVenus Williams. As of March 2010, Talley was serving on the judging panel forAmericas Next Top Model(from Cycle 14 to Cycle 17).[11]

In October 2011, the Andr Leon Talley Gallery opened in theSCAD Museum of Art.

Talley has been recognized for his important work.

2003:Eugenia SheppardAward for Fashion Journalism,Council of Fashion Designers of America

2008: Honorary Doctor of Humanities,Savannah College of Art and Design

Talley fielding questions at New York book signing, June 10, 2013.

Talley wrote an autobiography entitledA.L.T.: A Memoir, published in 2003.[12]

He also authoredA.L.T. 365+, an art monograph designed by art director Sam Shahid, published in 2005.365features photos and captions from one year of his life.[13]

Also co-wroteMegaStarwith Richard Bernstein, a book with an introduction from Paloma Picasso, which has portraits of famous stars.[14]

WAMU: American University Radio(May 14, 2003).September 27, 2007, at theWayback Machine. (html). WAMU 88.5 FM. Retrieved on 2007-04-24.

Hokum an anthology of African-American humor

. New York: Bloomsbury. p.257.ISBN1596917164

Steigrad, Alexandra (March 13, 2014).Andr Leon Talley to Exit Numro Russia.

Boucher, Vincent (30 August 2017).Andre Leon Talley on the Influence of His Grandmother, Diana Vreeland in New Doc.

Oxfield, Jesse, Idov, Michael (March 4, 2007),Out Ranks the Top 50 Gays; Anderson Is No. 2, New York Magazine.ArchivedJune 6, 2007, at theWayback Machine.

Top Model to get major makeover with Kimora Lee Simmons as new judge.

Talley, Andr Leon (April 8, 2003).

. Villard. p.256.ISBN0-375-50828-7.

Talley, Andr Leon (July 19, 2005).

. powerHouse Books. p.240.ISBN1-57687-240-8.

Bernstein, Richard.; Talley, Andr Leon. (1984).

. New York: Indigo Books.ISBN978-0-394-62305-4.

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Vogue was my escape hatch! Andr Leon Talley on Warhol Wintour and weight interveis

Vogue was my escape hatch! Andr Leon Talley on Warhol, Wintour and weight interventions

Vogue was my escape hatch! Andr Leon Talley on Warhol, Wintour and weight interventions

After a poor childhood, he became editor-at-large at US Vogue. He talks about racism in fashion, why he stopped reading British Vogue, his new documentary and dressing Melania Trump

Sun 6 May 201811.00 EDTLast modified on Thu 31 May 201810.54 EDT

You can be aristocratic without having been born into an aristocratic family … Andr Leon Talley, shot at Majorelle at the Lowell Hotel, NYC. Photograph: Joshua Bright for the Guardian

When Andr Leon Talley was fresh out of college, he went to intern at the Metropolitan Museum of Art in New York. It was the early 1970s andDiana Vreeland, the legendary former editor at Vogue, was consulting at theCostume Instituteand put him to work. I was very tall and skinny, says Talley. I had very good clothes, although very few clothes. I followed the trends, the world of Rive Gauche. He was an anomaly in the white, upperclass world of high fashion an African American from a modest background in Durham, North Carolina but he had something Vreeland and laterAnna Wintourwould recognise: a belief amounting to fervour in his power to become the selfmade person I am through the mythology of Vogue.

Talley, who turns 70 this year, sits in the sun room of an exclusive restaurant on Manhattans Upper East Side, wearing one of his trademark kaftans and breaking off every few moments to converse with the waiter in French. If he is little known beyond the fashion world, that may be about to change with the opening of a documentary next month that tells the story of Talleys extraordinary trajectory from grandson of sharecroppers to editor-at-large at Vogue; a man who, unlike so many of the pinched and unhappy looking women who guard the gates of high fashion, seems to embody the unfulfilled promise of that world: pure joy.

The documentary,The Gospel According to Andr, directed by Kate Novack, is a funny and often moving account not only of the fashion industry as seen through Talleys eyes, but of a much broader American cultural history, reaching back from his days at Vogue to the Jim Crow south in which Talley grew up, and 70s bohemian New York, where he found a home in his early 20s. While Talleys personal style the capes, the kaftans, the exaggerated forms of speech redefined the boundaries of black masculinity, his overall bearing insisted on something the dominant culture denied: that he be permitted to take up more space. You can be aristocratic without having been born into an aristocratic family, he says to the camera at one point, and the film is a study of both the scope and limitations of this kind of self-realisation.

It was the twin interests of France and fashion that started Talley on his professional journey. Darling, of course! says Talley, when I ask if his early interest in French after studying it at school, he went on to win a scholarship to read French Literature at Brown University was partly informed by his interest in style. Because I was living through the pages of Vogue! My escapism was Vogue and literature; Flauberts Madame Bovary and Yves Saint Laurent,Sonia Rykiel, Givenchy. It was everything I loved. He repeats this phrase three times, then turns to the waiter who is in the process of setting down a pistachio souffle. Cest gentil, merci beaucoup.

One gets the impression that Talley, grand in all senses of the word, originally modelled himself after Vreeland, a woman he describes as never frivolous or pretentious but with whom every conversation you had was dramatic. Unlike his idol, however, Talleys right first to belong, then to progress up the ranks as an editor in fashion magazines was never assured. The appointment ofEdward Enninfulas the editor of British Vogue last year was seismic in the history of high fashion, he says. Never has there been a man of colour at the helm of Cond Nast Vogue, and it is hard not to regard Talley, a full generation older than Enninful, as someone whose career has been circumscribed by this lack of a precedent.

For example, I would love to have been at Vogue in the 60s when Mrs Vreeland was there, he says dreamily, before rather smartly coming to his senses. But then I wouldnt have been atVoguein the 60s because they wouldnt have had a black male editor at a fashion magazine the way they did in 1983. In the 60s you rarely had a black model; Naomi Sims or Pat Cleveland, although that was more the early 70s. It was still very much an elitist world, although the fashion was very exciting.

He says all this blandly; after more than 50 years in the fashion business, from his first job atAndy Warhols Interview magazine, to four seasons as a judge onAmericas Next Top Modeland many decades at Vogue, Talley has had wearily to accommodate the racism around him. (The only time in the interview he shows anything stronger than measured disdain is when the subject of British Vogue prior to the arrival of Enninful comes up.) He recalls a PR director at a major label. I was told by people that she was going around Paris calling me Queen Kong. That was the most racist thing Id ever heard. It didnt hurt me, I didnt show it, but I never forgot.

He would prefer, while lamenting the cruelty of the fashion world, to return with boyish enthusiasm to the roots of his interest, those heady days of his childhood in North Carolina when he would tear out the pages of Vogue and stick them to his walls. In those days, the fashion magazine came out twice monthly and each time, Talley would walk from the black part of town where I lived in my grandmothers house, across the tracks to Duke University and the campus where they had a newsstand that would sell Vogue. I was too naive to know that I could subscribe to it. I loved the idea of walking and bringing it back. My escape hatch was Vogue.

Talley found a home in 70s bohemian New York … dancing with an unidentified guest at Regines in 1977. Photograph: Darleen Rubin/Penske Media/Rex/Shutterstock

The pictures he stuck to his walls which his grandmother allowed him to paint Schiaparelli pink; we didnt know it was Schiaparelli pink, but thats what it was included Vogue portraits of Naomi Sims, Pat Cleveland, Marisa Berenson, Mrs Vreeland, Loulou de la Falaise photographed by [Richard] Avedon. All those people were part of the fabric of my early developing years.

It didnt occur to him to question whether he would belong in this crowd. I felt like I was included, because there were people I wanted to be like eccentric, original, people who were artists, writers:Truman Capote, I so identified with him. At 15, Talley declared that he wanted to be a fashion editor, an announcement that in other households in the American south in 1963 might not have been received with undiluted joy. But Talley was lucky: after the divorce of his parents when he was very young, he went to live with his grandmother, his champion, Bennie Davis.

My grandmother! he says. Unconditional love! He starts to talk even more rapidly than usual. One of my uncles came one Sunday after church and said, what do you want to be when you grow up, Andr? And I said a fashion editor. And he said, what is that? And I said, all I know is that its a person who works in fashion on a magazine. And he said, Ive never heard about boys doing stuff like that, and my grandmother said, leave him alone, let him do whatever he wants, and he will do it well. She wasnt cultivated, she didnt read Vogue; she was just doing things by instinct. She loved me unconditionally, and nurtured me. And that gave me the confidence to pursue it.

The great lessons of his upbringing were, he says, Grace, and do your homework. Research, research; the foundation of your life is knowledge! When it was announced, last April, that Enninful would take over from Alexandra Shulman at British Vogue, Talley was over the moon. Edward is a very talented person, he is very quiet, and hes so connected to everyone who is important in fashion. When it was announced, I emailed him and said, congratulations, you so deserve it, and he replied: you paved the way.

It was while working with Vreeland at the Met that Andr Leon Talley discovered he had an unusual talent for making abstract fashion ideas concrete. Vreeland, then in her 70s, was a character. She walked on her toes, says Talley. You never heard her heels click. She would go into her office and have her little cucumber sandwiches and a tiny thing of vodka or Scotch, and that would get her going. It was the run-up to an exhibition of costumes from great Hollywood movies and she called Talley into her office to discuss how to stage a gold lame number worn byClaudette Colbert as Cleopatrain 1934. She said, Andr: you realise that Cleopatra is the queen of all of Egypt. But she is a teenager! A teenage queen. And she spends all day in her gardens, in the sun, walking her white albino peacocks. She was giving me the thoughts to explore. She didnt say, go put this dress on a mannequin.

Talley took the brief and ran with it, asking a technician at the museum if he could use some gold paint, and spray-painting three coats on the mannequin to match the dress so that the effect was gold on gold, like the sun. She loved it.

Vreeland, Warhol and Wintour are the three mentors Talley credits with shaping his career. Warhol, he says, for whom Talley worked in the early 70s for $50 a week answering the telephone, running to Mrs Browns the organic store to pick up Warhols lunch, ultimately editing at Interview magazine was quiet, generous, perceptive. He did not judge people; you could say or do anything. Drag queens were as important as Princess Caroline of Monaco. Grace Jones was treated like Caroline Kennedy. It was wonderful to be around him.

Talley remained friends with Vreeland, meanwhile, until she was into her 80s. When she retired, I would go to her apartment and read entire books aloud to her. I read her the biography of the Queen of Romaniaby Hannah Pakula. I read her articles, I readthe memoirs of Baron Guy de Rothschild, twice. I would read until 4am. She liked to hear the spoken word. If she got you, she got you for life.

It is Talleys friendship with Wintour, however, that is by far the longest and most defining of these working relationships. Famously, she is said to have staged an intervention in 2005 to get Talley to address his obesity and it did actually happen, he says. She intervened because she was alarmed and cared, and she had the minister from my church there, and the De la Rentas [Oscar and his wife]. I was called into this boardroom in Vogue, and I was flabbergasted.

Being encouraged to lose weight by Oscar de la Renta and co feels like something we have all been discreetly subjected to all our lives, but anyway, in the first instance, Talley was angry and defensive and refused to take up their offer of a place atDuke University Diet and Fitness Center. I had to get over the shock. A year later, however, it sank in that his health was at stake and he set about changing his lifestyle. Of Wintour, he says, Shes loyal, a loyal friend. One sees the glacial sunglasses and impeccable dresses. But she cares.

Until recently, American Vogues record for promoting models of colour wasalmost as parlous as that of its British sister title, although Talley, a loyal friend too, focuses on improvements made in the last five years and insists that under Anna Wintour its become very diverse. I ask if he agreed with Naomi Campbells assessment last year that under Shulman,British Vogue was racist.

I dont know, he says thinly, because I didnt look at it under Alexandra Shulman. You didnt read British Vogue? I never looked at it. No. I looked at Italian Vogue under Franca Sozzani.

Why didnt he look at British Vogue? I just didnt. It didnt amuse me to look at British Vogue. I looked at Franca Sozzanis Italian Vogue because it took the pulse of the way the world changed; she didan all black issueand it sold out. They reprinted it. This is a not-very-oblique reference to Shulmans defence thatblack models are not famous enough to sell on the cover. The lateFranca Sozzaniwas a disrupter. So her Vogue was very influential.

In 2005, Talley flew to Mar-a-Lago tohelp dress Melania Knaussbefore her wedding to Donald Trump. As a first lady, he says, she has a certain robotic elegance, but back then he found her very intelligent and well-spoken; she speaks several languages. I emailed to tell her I thought she looked great at the inaugural, in Ralph Lauren blue.

If she called him now for style help, would he oblige? First of all, she wouldnt call me because she would know that I would probably be reluctant to go. I would perhaps consider it; but I know that I would be crucified if I went to help Melania Trump. It would be really detrimental to me. Although I do think shes wonderful, a wonderful mother, and she has beautiful manners. She is not a snob. She was polite and gracious and had great patience.

Talley reserves his harshest words for those in the fashion industry who have, as he says, dropped him since he left Vogue in 2013. Its very backstabbing, viperish, cruel, he says, and people have dropped me because Im no longer viable on the front row. I will survive, and go through the chiffon trenches as I always have. But, he says, I feel sort of lonely.

He has never lived with anyone or had what he considers to be a significant romantic relationship. I regret that, he says, but I was too busy with my career. And after decades of living high on the illusory wealth of a Cond Nast expense account, he is finding this current period financially chilly. Moneys tight, he says.

We are not in a golden age of fashion right now, says Talley. The Oscars red carpet does not inspire me any more, and then the next morning you get up and can have the dress at Zara. Its the strapless dress and a train. No one goes with something unique the way Sharon Stone worea turtle neck and a skirt from Armani and a coat, orBarbra Streisand in pussycat bellbottoms.

He prefers to look to the past; to the costume exhibitions he curates at centres of design around the country and beyond that to the woman to whom he owes it all. She still adored me, he says of his grandmother, who died in 1989, having lived to see him well into his period of success at Vogue. When I went home I wore maxi coats to the floor, with gold braid and buttons I bought in New York. She didnt blink an eye. He smiles at the memory of a woman whose vision was, perhaps, even more startlingly free of the times than his own. I could do no wrong.

•The Gospel According to Andr will be released in the US on 25 May and in the UK in the autumn

Fashion Editor Andr Leon Talley Opens Up About Losing 34bs at WeightosCenter

Fashion Editor Andr Leon Talley Opens Up About Losing 34 Lbs. at Weight Loss Center

Fashion Editor Andr Leon Talley Opens Up About Losing 34 Lbs. at Weight Loss Center

The fashion guru, 68, who says he struggles with a food addicition, slimmed down recently at a weight loss center.

Its been an emotional journey for a very long time about a decade I live with it every day, he tells PEOPLE of his addiction.

But now theVoguecontributing editor is down 34 lbs. after a stay at Duke Diet and Fitness Center in Durham, North Carolina.

I spent Thanksgiving and Christmas there, Talley says. In the past, Ive had terrible challenges around the holidays, so this year I decided to go there.

He spent time on and off for six weeks at the residential medical weight loss program taking nutrition and fitness classes and examining his relationship with food.

Working one-on-one with the fashion icon was the centers director Dr. Will Yancy. Hes like a magnet, people just want to come and sit and talk with him, Yancy says.

This wasnt Talleys first visit to the clinic. He says the camaraderie of the center is part of what keeps him coming back. Its a very encouraging environment, he says, although he admits it can be hard to get into the mindset at first. The experience for me is always very daunting in the beginning. You certainly have to reboot your skills in weight-loss and I think its one of the best places to do that.

RELATED VIDEO: Exclusive: Mama June: From Not To Hot See Her Dramatic Weight Loss

Nutrition Director Elisabetta Politi has been at the center 20 years and has worked with Talley several times. When people carry excess weight they tend to isolate themselves a little bit, she says. I realized he was spending many evenings at home watching tv and it was not uncommon for him to eat sweets while he was watching tv. I think coming here this time helped him to break that vicious cycle.

Yancy confirmed the importance of workouts in Talleys case. He hadnt been exercising a lot before he got here so just getting him moving again was critical, says Yancy.

Talley says hes keeping the weight off by foregoing some of his favorite treats.

I had to cut out ice cream and desserts, pie, cakes and cookies. I dont keep those things in the house, he says. Its very tough with my lifestyle. I have learned to avoid the temptations.

He explains further: Food addiction is a very serious thing and I try not to get so stressed out. Now though, if Im stressed, I dont go to the trigger foods anymore.

He also says it helps that he stays in touch with the doctor and the nutritionist he worked with at Duke, since he thinks so highly of the center.

The feeling is mutual among the doctors there. He is extremely humble, very approachable and fun to be with, says Yancy. He treats everyone the same way, from the housekeeping staff and the waiters to the doctors. He just enjoys talking to people. And women love to ask him what to wear.

And on that subject of fashion, Talley says hes never faced any criticism from his stylish peers as he has struggled with the scale.

There is no bullying about my weight, he says. The fashion world has accepted me and they keep me there for my knowledge, not my looks.

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BOSSIPhas learned that Andre Leon Talley is considering losing some pounds for his TV debutas a judge on Americas Next Top Model.He has made a career of helping other people look their best, and asVoguemagazines editor at large, has been a front-row fixture at fashion shows in New York, Paris and Milan for almost 30 years.

But sources say Andre was spotted leaving a medical building where he went to receive help in shedding some pounds.

The once-slender fashionisto has always been public about his struggles with weight and even appeared on Oprah in 2005 seeking a weight intervention from his peers, where he explained:

I started noticing my weight gain around 1995 but I didnt do much about it.

In 2003, Andre says his weight spiraled out of control.

I was traveling a lot, and when you travel, you just dont focus on your diet or exercise.

At over 300 pounds, Andres fashion designer friends created gorgeous garments to help him camouflage his excessive weight.

I had long coats made by Karl Lagerfeld, and I describe it as a little teepee tent that you could put a whole Lilliputian family in.

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Andre Leon Talley

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Andre Leon Talley Weight Loss

Andre Leon Talley Net Worth is $1.5 Million. Andre Leon Talley is Journalist Editor. Andre Leon Talley Date of Birth is Oct 16, 1949. Andre Leon Talley Country is United States of America.. AndrA(C) Leon Talley (born October 16, 1949) is the former American editor-at-large for …

Andre Leon Talley Net Worth is $1.5 Million.

Andre Leon Talley Net Worth is $1.5 Million. Andre Leon Talley is Journalist Editor. Andre Leon Talley Date of Birth is Oct 16, 1949. Andre Leon Talley Country is United States of America. AndrA Leon Talley is the former American editor-at-large for Vogue magazine, listed as Contributing Editor in the April 2010 masthead. Talley has been a front-row regular at fashion shows in New York, Paris, London and Milan for more than 25 years. He uses his influence to promote young fashion designers and mentors young talent in other fields.

His most famous pairings of late have been with designers Tracy Reese, Rachel Roy, and singer/actress Jennifer Hudson. He is known as a very close friend of pop diva Mariah Carey, fashion designer Kimora Lee Simmons, and tennis star Venus Williams. In 2007, he was ranked 45th in Out magazines 50 Most Powerful Gay Men and Women in America. Talley has an honorary Doctorate of Humanities from Savannah College of Art and Design, where he serves as a member of the Board of Trustees. As of March 2010, Talley was serving on the judging panel for Americas Next Top Model .

Read more about andre leon talley weight loss

New Talley doc celebrates black gay fashion icon

The Gospel According to Andr is a delightful introduction to Andr Leon Talley, an openly gay African-American man who has been a fixture in the international fashion world since 1974. Directed by Kate Novack, the film explores his life and career …

Andr Leon Talley thinks he knows who gave him a racist nickname

Andr Leon Talley cries when he recalls how haters in the fashion world called him Queen Kong and he thinks he knows who coined the nasty nickname. In the tearful climax to the documentary The Gospel According to Andr, the 6-foot-6 …

The answer may surprise you/blow out your eardrums! The inimitable walking fashion concept that is Andr Leon Talley appeared on todays episode of The Wendy Williams Show. In addition to promoting his solid bio-doc, The Gospel According to Andr …

Fashion guru Andr Leon Talley is deeper than film reveals

Of all the fashion industrys characters, are any as commanding a presence as Andr Leon Talley? The 6-foot-6 gay black man from the segregated South has reigned as a high priest of fashion for 40 years, from his days at Andy Warhols Factory to …

For Vogue Titan Andr Leon Talley, Fashion Was A Gateway To The World

TERRY GROSS, HOST: This is FRESH AIR Im Terry Gross. My guest, Andre Leon Talley, is famous in the fashion world and beyond. He spent much of his career at Vogue magazine, becoming the fashion news director in 1983 and creative director in 1988.

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; Andr Leon Talley on Warhol Wintour and weight interveis

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Vogue was my escape hatch! Andr Leon Talley on Warhol, Wintour and weight interventions

Andr Leon Talley interview in ; Photographed by Jonathan Becker;

This article titled Vogue was my escape hatch! Andr Leon Talley on Warhol, Wintour and weight interventions was written by Emma Brockes, for The Guardian on Sunday 6th May 2018 15.00 UTC

When Andr Leon Talley was fresh out of college, he went to intern at the Metropolitan Museum of Art in New York. It was the early 1970s andDiana Vreeland, the legendary former editor at Vogue, was consulting at theCostume Instituteand put him to work. I was very tall and skinny, says Talley. I had very good clothes, although very few clothes. I followed the trends, the world of Rive Gauche. He was an anomaly in the white, upperclass world of high fashion an African American from a poor background in Durham, North Carolina but he had something Vreeland and laterAnna Wintourwould recognise: a belief amounting to fervour in his power to become the selfmade person I am through the mythology of Vogue.

Talley, who turns 70 this year, sits in the sun room of an exclusive restaurant on Manhattans Upper East Side, wearing one of his trademark kaftans and breaking off every few moments to converse with the waiter in French. If he is little known beyond the fashion world, that may be about to change with the opening of a documentary next month that tells the story of Talleys extraordinary trajectory from grandson of sharecroppers to editor-at-large at Vogue; a man who, unlike so many of the pinched and unhappy looking women who guard the gates of high fashion, seems to embody the unfulfilled promise of that world: pure joy.

The documentary,The Gospel According to Andr, directed by Kate Novack, is a funny and often moving account not only of the fashion industry as seen through Talleys eyes, but of a much broader American cultural history, reaching back from his days at Vogue to the Jim Crow south in which Talley grew up, and 70s bohemian New York, where he found a home in his early 20s. While Talleys personal style the capes, the kaftans, the exaggerated forms of speech redefined the boundaries of black masculinity, his overall bearing insisted on something the dominant culture denied: that he be permitted to take up more space. You can be aristocratic without having been born into an aristocratic family, he says to the camera at one point, and the film is a study of both the scope and limitations of this kind of self-realisation.

Shes loyal Talley with Anna Wintour at a New York fashion awards dinner in 1988.

Photograph: Tony Palmieri/Penske Media/REX/Shutterstock

It was the twin interests of France and fashion that started Talley on his professional journey. Darling, of course! says Talley, when I ask if his early interest in French after studying it at school, he went on to win a scholarship to read French Literature at Brown University was partly informed by his interest in style. Because I was living through the pages of Vogue! My escapism was Vogue and literature; Flauberts Madame Bovary and Yves Saint Laurent,Sonia Rykiel, Givenchy. It was everything I loved. He repeats this phrase three times, then turns to the waiter who is in the process of setting down a pistachio souffle. Cest gentil, merci beaucoup.

One gets the impression that Talley, grand in all senses of the word, originally modelled himself after Vreeland, a woman he describes as never frivolous or pretentious but with whom every conversation you had was dramatic. Unlike his idol, however, Talleys right first to belong, then to progress up the ranks as an editor in fashion magazines was never assured. The appointment ofEdward Enninfulas the editor of British Vogue last year was seismic in the history of high fashion, he says. Never has there been a man of colour at the helm of Cond Nast Vogue, and it is hard not to regard Talley, a full generation older than Enninful, as someone whose career has been circumscribed by this lack of a precedent.

For example, I would love to have been at Vogue in the 60s when Mrs Vreeland was there, he says dreamily, before rather smartly coming to his senses. But then I wouldnt have been at Vogue in the 60s because they wouldnt have had a black male editor at a fashion magazine the way they did in 1983. In the 60s you rarely had a black model; Naomi Sims or Pat Cleveland, although that was more the early 70s. It was still very much an elitist world, although the fashion was very exciting.

He says all this blandly; after more than 50 years in the fashion business, from his first job atAndy Warhols Interview magazine, to four seasons as a judge onAmericas Next Top Modeland many decades at Vogue, Talley has had wearily to accommodate the racism around him. (The only time in the interview he shows anything stronger than measured disdain is when the subject of British Vogue prior to the arrival of Enninful comes up.) He recalls a PR director at a major label. I was told by people that she was going around Paris calling me Queen Kong. That was the most racist thing Id ever heard. It didnt hurt me, I didnt show it, but I never forgot.

He would prefer, while lamenting the cruelty of the fashion world, to return with boyish enthusiasm to the roots of his interest, those heady days of his childhood in North Carolina when he would tear out the pages of Vogue and stick them to his walls. In those days, the fashion magazine came out twice monthly and each time, Talley would walk from the black part of town where I lived in my grandmothers house, across the tracks to Duke University and the campus where they had a newsstand that would sell Vogue. I was too naive to know that I could subscribe to it. I loved the idea of walking and bringing it back. My escape hatch was Vogue.

Talley found a home in 70s bohemian New York dancing with an unidentified guest at Regines in 1977. Photograph: Darleen Rubin/Penske Media/Rex/Shutterstock

The pictures he stuck to his walls which his grandmother allowed him to paint Schiaparelli pink; we didnt know it was Schiaparelli pink, but thats what it was included Vogue portraits of Naomi Sims, Pat Cleveland, Marisa Berenson, Mrs Vreeland, Loulou de la Falaise photographed by [Richard] Avedon. All those people were part of the fabric of my early developing years.

It didnt occur to him to question whether he would belong in this crowd. I felt like I was included, because there were people I wanted to be like eccentric, original, people who were artists, writers:Truman Capote, I so identified with him. At 15, Talley declared that he wanted to be a fashion editor, an announcement that in other households in the American south in 1963 might not have been received with undiluted joy. But Talley was lucky: after the divorce of his parents when he was very young, he went to live with his grandmother, his champion, Bennie Davis.

My grandmother! he says. Unconditional love! He starts to talk even more rapidly than usual. One of my uncles came one Sunday after church and said, what do you want to be when you grow up, Andr? And I said a fashion editor. And he said, what is that? And I said, all I know is that its a person who works in fashion on a magazine. And he said, Ive never heard about boys doing stuff like that, and my grandmother said, leave him alone, let him do whatever he wants, and he will do it well. She wasnt cultivated, she didnt read Vogue; she was just doing things by instinct. She loved me unconditionally, and nurtured me. And that gave me the confidence to pursue it.

The great lessons of his upbringing were, he says, Grace, and do your homework. Research, research; the foundation of your life is knowledge! When it was announced, last April, that Enninful would take over from Alexandra Shulman at British Vogue, Talley was over the moon. Edward is a very talented person, he is very quiet, and hes so connected to everyone who is important in fashion. When it was announced, I emailed him and said, congratulations, you so deserve it, and he replied: you paved the way.

It was while working with Vreeland at the Met that Andr Leon Talley discovered he had an unusual talent for making abstract fashion ideas concrete. Vreeland, then in her 70s, was a character. She walked on her toes, says Talley. You never heard her heels click. She would go into her office and have her little cucumber sandwiches and a tiny thing of vodka or Scotch, and that would get her going. It was the run-up to an exhibition of costumes from great Hollywood movies and she called Talley into her office to discuss how to stage a gold lame number worn byClaudette Colbert as Cleopatrain 1934. She said, Andr: you realise that Cleopatra is the queen of all of Egypt. But she is a teenager! A teenage queen. And she spends all day in her gardens, in the sun, walking her white albino peacocks. She was giving me the thoughts to explore. She didnt say, go put this dress on a mannequin.

Talley took the brief and ran with it, asking a technician at the museum if he could use some gold paint, and spray-painting three coats on the mannequin to match the dress so that the effect was gold on gold, like the sun. She loved it.

Vreeland, Warhol and Wintour are the three mentors Talley credits with shaping his career. Warhol, he says, for whom Talley worked in the early 70s for $50 a week answering the telephone, running to Mrs Browns the organic store to pick up Warhols lunch, ultimately editing at Interview magazine was quiet, generous, perceptive. He did not judge people; you could say or do anything. Drag queens were as important as Princess Caroline of Monaco. Grace Jones was treated like Caroline Kennedy. It was wonderful to be around him.

Talley remained friends with Vreeland, meanwhile, until she was into her 80s. When she retired, I would go to her apartment and read entire books aloud to her. I read her the biography of the Queen of Romaniaby Hannah Pakula. I read her articles, I readthe memoirs of Baron Guy de Rothschild, twice. I would read until 4am. She liked to hear the spoken word. If she got you, she got you for life.

It is Talleys friendship with Wintour, however, that is by far the longest and most defining of these working relationships. Famously, she is said to have staged an intervention in 2005 to get Talley to address his obesity and it did actually happen, he says. She intervened because she was alarmed and cared, and she had the minister from my church there, and the De la Rentas [Oscar and his wife]. I was called into this boardroom in Vogue, and I was flabbergasted.

Being encouraged to lose weight by Oscar de la Renta and co feels like something we have all been discreetly subjected to all our lives, but anyway, in the first instance, Talley was angry and defensive and refused to take up their offer of a place atDuke University Diet and Fitness Center. I had to get over the shock. A year later, however, it sank in that his health was at stake and he set about changing his lifestyle. Of Wintour, he says, Shes loyal, a loyal friend. One sees the glacial sunglasses and impeccable dresses. But she cares.

Until recently, American Vogues record for promoting models of colour wasalmost as parlous as that of its British sister title, although Talley, a loyal friend too, focuses on improvements made in the last five years and insists that under Anna Wintour its become very diverse. I ask if he agreed with Naomi Campbells assessment last year that under Shulman,British Vogue was racist.

I dont know, he says thinly, because I didnt look at it under Alexandra Shulman. You didnt read British Vogue? I never looked at it. No. I looked at Italian Vogue under Franca Sozzani.

Why didnt he look at British Vogue? I just didnt. It didnt amuse me to look at British Vogue. I looked at Franca Sozzanis Italian Vogue because it took the pulse of the way the world changed; she didan all black issueand it sold out. They reprinted it. This is a not-very-oblique reference to Shulmans defence thatblack models are not famous enough to sell on the cover. The lateFranca Sozzaniwas a disrupter. So her Vogue was very influential.

In 2005, Talley flew to Mar-a-Lago tohelp dress Melania Knaussbefore her wedding to Donald Trump. As a first lady, he says, she has a certain robotic elegance, but back then he found her very intelligent and well-spoken; she speaks several languages. I emailed to tell her I thought she looked great at the inaugural, in Ralph Lauren blue.

If she called him now for style help, would he oblige? First of all, she wouldnt call me because she would know that I would probably be reluctant to go. I would perhaps consider it; but I know that I would be crucified if I went to help Melania Trump. It would be really detrimental to me. Although I do think shes wonderful, a wonderful mother, and she has beautiful manners. She is not a snob. She was polite and gracious and had great patience.

Talley reserves his harshest words for those in the fashion industry who have, as he says, dropped him since he left Vogue in 2013. Its very backstabbing, viperish, cruel, he says, and people have dropped me because Im no longer viable on the front row. I will survive, and go through the chiffon trenches as I always have. But, he says, I feel sort of lonely.

He has never lived with anyone or had what he considers to be a significant romantic relationship. I regret that, he says, but I was too busy with my career. And after decades of living high on the illusory wealth of a Cond Nast expense account, he is finding this current period financially chilly. Moneys tight, he says.

We are not in a golden age of fashion right now, says Talley. The Oscars red carpet does not inspire me any more, and then the next morning you get up and can have the dress at Zara. Its the strapless dress and a train. No one goes with something unique the way Sharon Stone worea turtle neck and a skirt from Armani and a coat, orBarbra Streisand in pussycat bellbottoms.

He prefers to look to the past; to the costume exhibitions he curates at centres of design around the country and beyond that to the woman to whom he owes it all. She still adored me, he says of his grandmother, who died in 1989, having lived to see him well into his period of success at Vogue. When I went home I wore maxi coats to the floor, with gold braid and buttons I bought in New York. She didnt blink an eye. He smiles at the memory of a woman whose vision was, perhaps, even more startlingly free of the times than his own. I could do no wrong.

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